

This one is pretty obscure but I feel like it fits this question.
For people who don’t know deep meme lore, YTMND was/is a site where people uploaded extremely short audio clips and images/gifs that went together. This all sprouted from a short clip of Sean Connery saying “You’re the man now, dog!” in the movie Finding Forester. Here’s the Know Your Meme page. Sometimes these were funny, sometimes they were artful and surreal, sometimes they were meta, usually they were just stupid.
One day back in the stone ages I was browsing the site and I found this one:
(CW racism):
spoiler
I have to say it struck me. I reverse image searched the painting and discovered it’s by an artist named Slowinski whose work is explicitly about fucked up shit in American society. In this case obesity, lotteries, a terrible food supply, etc. are literally murdering a black man but its presented like a carnival attraction. The music seems so fitting to me because it mimicked both how “Black is Beautiful” and Black American art fights against the narrative but is also co opted by capitalism to push the exact same poison. I even thought, “Wow, the name is a play on the N word but also its homophone which means someone who is miserly, perhaps additional commentary?” Fucking excellent, especially for YTMND.
So I clicked the little “source” icon in the corner to see if the author had some insight on this and it’s literally just some kid who slowed down the song, thought it sounded like a “fat black guy”, and googled that then posted the image. Well fuck.
I wouldn’t say it’s a masterpiece but I still remember it, especially the irony of it, and it was a fucking YTMND of all things, so I guess that counts for something.
KDEnlive is improving, however Resolve is still more powerful and mature. That said, DaVinci’s business model seems precarious. It feels like they could, at any moment, enshittify Resolve and force users into a subscription just to maintain access to old edits. I think for that reason KDEnlive is better for almost all users. If you are a professional filmmaker then the color and vfx workflows of Resolve are probably worth paying for, but in that case it’s probably a FinalCut vs Resolve question anyway.